{"id":2064,"date":"2014-12-31T10:44:01","date_gmt":"2014-12-31T10:44:01","guid":{"rendered":"https:\/\/jewishmuseum.org.uk\/2014\/12\/31\/obscuratorial-finds-why-do-we-have-so-many-2\/"},"modified":"2018-09-14T14:25:56","modified_gmt":"2018-09-14T13:25:56","slug":"obscuratorial-finds-why-do-we-have-so-many-2","status":"publish","type":"post","link":"https:\/\/jewishmuseum.org.uk\/2014\/12\/31\/obscuratorial-finds-why-do-we-have-so-many-2\/","title":{"rendered":"Obscuratorial Finds \u2013 Why do we have so many\u2026 dresses?"},"content":{"rendered":"
by Alice Quine, Curatorial Assistant
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With the museum\u2019s exhibition on weddings opening in the New Year it seemed apt to address the diverse range of dresses we have in the collection. From weddings to work dos, dresses can tell you a great deal about a specific period of history, as well as its owner\u2019s social standing and style.<\/p>\n
Wedding Dresses <\/b>\u2013\u00a0This voile flapper-style wedding dress was worn by Lily Arbisman at her wedding to Charles Brillianstone, at Bonn\u2019s Hotel, Aldgate in 1925. With a steady income as a skilled shorthand typist, Lily could afford to employ a costume specialist in Hampshire, opting for a short length, beaded and tasselled design reflecting the period of new fashion. The flatter, boyish style highlights a shift away from confining corsets, brought about by the women\u2019s rights movement in post-war Britain.<\/p>\n
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