8 May @ 7.00 pm - 8.30 pm
Dr Julia Wagner explores representations of Jewish women on screen, focusing on young protagonists from wealthy families who use their privileged positions for social good, including: Private Benjamin (dir. Howard Zieff, 1980) starring Goldie Hawn; Dirty Dancing (dir. Emile Ardolino, 1987) with Jennifer Grey as Frances Houseman; and Clueless (dir. Amy Heckerling, 1995), in which Alicia Silverstone plays Cher Horowitz.
The lecture discusses the origins of the Jewish American Princess stereotype and how it has been used in romantic comedies and teen-focused films to challenge ideas of Jewish women’s relationship to money – and, by association, daddy.
How do our protagonists assert their independence and effect social change? How do the films portray female power, money and privilege, duty and loyalty, personal responsibility and social conscience? By analysing these films from a feminist perspective, we see how and why the heroines challenge negative stereotypes and provide positive images of Jewish women.
Dr Julia Ruth Wagner is a film lecturer and writer. She holds a PhD in Film Studies (UCL) and an MA in Italian Studies (University of Edinburgh). Julia specialises in Jewish cinema, cultural memory and the work of female filmmakers. She has lectured widely, including teaching film courses at the Phoenix Cinema and JW3, and presenting at Limmud UK and international conferences. Julia writes about film for the Jewish Quarterly journal, and is curating Jewish Britain on Film, a JW3/British Film Institute-funded archive project. Julia regularly hosts Q&As with filmmakers and is passionate about film education and public engagement.
Ticket includes entry to Jews, Money, Myth.
Group booking rates are available with a group rate of £6 per ticket (full price) or £5 per ticket (concession). A minimum of 5 tickets are needed to qualify for this offer. For more information or to book using the group offer, please contact our Museum Assistant at 020 7284 7384 or [email protected].
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Griselda Pollock: Where does Charlotte Salomon’s unique modernist artwork fit into today’s histories?
Charlotte Salomon produced arguably some of the most monumental and philosophical Modernist art works of the twentieth century in an intensive period of creativity between 1940-42 and yet very few people are aware of her. Griselda Pollock asks why this female Jewish artist, working in exile during the Nazi occupation of Europe, has been maligned and forgotten from Jewish history, Feminist history and Art history.